{"id":15,"date":"2025-09-27T12:28:27","date_gmt":"2025-09-27T10:28:27","guid":{"rendered":"http:\/\/www.bibliotecasiena.it\/mostredigitali\/?post_type=exhibit&#038;p=15"},"modified":"2026-01-05T12:13:24","modified_gmt":"2026-01-05T11:13:24","slug":"collezione-gori-pannilini","status":"publish","type":"exhibit","link":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/mostra\/collezione-gori-pannilini\/","title":{"rendered":"Collezione Gori Pannilini"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-style-ultrawide\"><img loading=\"lazy\" decoding=\"async\" width=\"2480\" height=\"1820\" src=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/09\/photo_5935753144078289485_w.jpg\" alt=\"\" class=\"wp-image-16\"\/><\/figure>\n\n\n<h1 class=\"wp-block-post-title\">Collezione Gori Pannilini<\/h1>\n\n<h2 class=\"wp-block-heading is-style-exhibit-subtitle\">Una storia di uomini e di stampe a Siena tra il XVIII e XX secolo<\/h2>\n\n\n<p><em>a cura di Benedetta Spadaccini<\/em><\/p>\n\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"introduzione\"><\/div>\r\n\t\t\t<h2>Introduzione<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p>Le stampe della collezione Gori Pannilini furono donate al Comune di Siena dal senatore Augusto alla sua morte, nel 1877, affinch\u00e9 fossero \u201cvisibili ad onore dell\u2019arte e a decoro del Paese\u201d. Sfortunatamente, dopo diversi passaggi la raccolta venne in parte dispersa e dimenticata e solo in anni recenti \u00e8 stata oggetto di sporadici studi. <br>La mostra ha lo scopo di illustrare la collezione e lo studio alla base della sua ricostruzione e per queste ragioni \u00e8 divisa in due sezioni virtuali. Sono consultabili digitalmente i tre inventari storici \u2013 uno a stampa settecentesco e due manoscritti ottocenteschi \u2013 insieme alla pianta del palazzo dove la collezione era originariamente conservata, oggi sede dell\u2019Hotel Continental in via Banchi di Sopra. La seconda sezione propone una selezione di stampe organizzate secondo le scuole di provenienza \u2013 italiana, francese, fiamminga e tedesca \u2013 rispettando l\u2019ordinamento originale della raccolta. L\u2019obiettivo \u00e8 restituire la variet\u00e0 e la ricchezza delle opere, offrendo la possibilit\u00e0 di osservarle nel dettaglio grazie alla visualizzazione digitale ad alta risoluzione.<\/p>\n\n\n\n<p><em>The prints of the Gori Pannilini collection were donated to the Municipality of Siena by Senator Augusto upon his death in 1877, so that they might be \u201cvisible in honor of art and for the decorum of the country.\u201d Unfortunately, after several transfers the collection was partly dispersed and forgotten, and only in recent years has it been the subject of sporadic scholarly studies.<\/em><br><em>The exhibition aims to illustrate the collection and the research underlying its reconstruction, and for these reasons it is divided into two virtual sections. The three historical inventories \u2013 one eighteenth-century printed inventory and two nineteenth-century handwritten ones \u2013 can be consulted digitally, together with the floor plan of the palace where the collection was originally housed, now the Hotel Continental on Via Banchi di Sopra.<\/em><br><em>The second section presents a selection of prints organized according to their schools of origin \u2013 Italian, French, Flemish, and German \u2013 respecting the original arrangement of the collection. The aim is to convey the variety and richness of the works, offering the opportunity to observe them in detail through high-resolution digital viewing<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"galleria-documenti\"><\/div>\r\n\t\t\t<h2>Galleria documenti<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p>Sono qui integralmente consultabili i documenti relativi alla collezione utili a ripercorrerne la storia. In particolare, i tre inventarii del 1784, 1879 e 1884 sono stati fondamentali per identificare le stampe ad essa appartenenti. Il primo \u00e8 un opuscolo a stampa anonimo, senza data, privo di altre informazioni e noto in soli due esemplari di 146 pagine che contiene la descrizione di 2.983 stampe, raccolte in 27 tomi, e 3.188 in 46 volumi, per un totale di 6.171 fogli. Il secondo \u00e8 un fascicoletto manoscritto di 12 carte, scritto nel novembre del 1879, che elenca circa 2.774 incisioni e 58 volumi.<br>Il terzo \u00e8 un inventario manoscritto che enumera 2.708 stampe sciolte e 61 volumi.<\/p>\n\n\n\n<p><em>Here it is possible to consult the documents relating to the collection, which are useful for retracing its history.<\/em><br><em>In particular, the three inventories of 1784, 1879, and 1884 were fundamental in identifying the prints belonging to it.<\/em><br><em>The first is an anonymous printed booklet, without a date and lacking further information, known in only two copies of 146 pages. It contains the description of 2,983 prints, arranged in 27 tomes, and 3,188 prints in 46 volumes, for a total of 6,171 sheets. The second is a small handwritten booklet of 12 leaves, written in November 1879, which lists approximately 2,774 engravings and 58 volumes. The third is a handwritten inventory that enumerates 2,708 loose prints and 61 volumes.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/b-lxx-e-16\/\" title=\"Indice della raccolta delle stampe (ante 1784)\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Indice della raccolta delle stampe (ante 1784)<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><em>Indice della raccolta delle stampe di diverse scuole dell&#8217;anticamera rossa, del gabinetto, e retro stanza poste in quadro con cristallo descritte istoricamente con i nomi dei pittori, ed intagliatori<\/em> [Siena, ante 1784] <\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/09\/B.LXX_.E.16_0004.jpg\" alt=\"Indice della raccolta delle stampe (ante 1784)\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/227\/\" title=\"Decreto reale che autorizza il Comune di Siena ad accettare la collezione (19 ottobre 1877)\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Decreto reale che autorizza il Comune di Siena ad accettare la collezione (19 ottobre 1877)<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Postunitario-XA-XV-23-1879_0109-727x1024.jpg\" alt=\"Decreto reale che autorizza il Comune di Siena ad accettare la collezione (19 ottobre 1877)\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/contratto-di-deposito-allistituto-delle-belle-arti-di-siena-della-collezione-di-stampe-gori-pannilini\/\" title=\"Contratto di deposito all&#8217;Istituto delle Belle Arti di Siena della collezione di stampe Gori Pannilini (26 novembre 1879)\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Contratto di deposito all&#8217;Istituto delle Belle Arti di Siena della collezione di stampe Gori Pannilini (26 novembre 1879)<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Postunitario_XI_54_1879_n4_0001-830x1024.jpg\" alt=\"Contratto di deposito all&#8217;Istituto delle Belle Arti di Siena della collezione di stampe Gori Pannilini (26 novembre 1879)\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/catalogo-delle-stampe-antiche-donate-al-comune-dai-benemeriti-cav-giuseppe-porri-e-senatore-augusto-de-gori\/\" title=\"Catalogo delle stampe antiche donate al comune dai benemeriti cav. Giuseppe Porri e senatore Augusto de Gori (1884-1896)\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Catalogo delle stampe antiche donate al comune dai benemeriti cav. Giuseppe Porri e senatore Augusto de Gori (1884-1896)<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Z.I.24_0001_coperta-anteriore-744x1024.jpg\" alt=\"Catalogo delle stampe antiche donate al comune dai benemeriti cav. Giuseppe Porri e senatore Augusto de Gori (1884-1896)\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"galleria-stampe\"><\/div>\r\n\t\t\t<h2>Galleria stampe<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p>Si offre in questa sezione una piccola scelta delle stampe della collezione suddivise per scuole, cos\u00ec come erano differenziate all\u2019interno dei tre inventarii. <br>La <em><strong>scuola francese<\/strong><\/em> \u00e8 esemplificata da quattro stampe di Jacques Callot, Jean Boulanger, Francois Ragot e Jacques Philippe Le Bas.<br>Per rappresentare la <em><strong>scuola fiamminga<\/strong><\/em> sono Jan van der Straet, Cornelis Cort, Aegidius Sadeler, Johannes Wierix, Jan Sadeler I, Hendrick Goltzius, Pieter de Jode I, Aegidius Sadeler II, Pieter Stevens.<br>Per la <em><strong>scuola tedesca<\/strong><\/em> ci sono incisioni di Albrecht D\u00fcrer, Luca di Leida, Heinrich Aldegrever e Theodor Kruger.<br>A esemplificare le numerose stampe di <em><strong>scuola italiana<\/strong><\/em> sono state scelte le opere di Francesco Curti, Giulio Carpioni, Giulio Bonasone, Iacopo Caraglio, Antonio da Trento, Maestro del Dado, Marcantonio Raimondi, Giorgio Ghisi, Diana Scultori, Francesco Villamena, Antonio Tempesta, Raffaello Schiaminossi, Remigio Cantagallina, Simone Cantarini e Stefano della Bella.<\/p>\n\n\n\n<p><em>This section offers a small selection of prints from the collection, divided by schools, as they were distinguished in the three inventories.<\/em><br><em>The <\/em><strong>French school<\/strong><em> is represented by four prints by Jacques Callot, Jean Boulanger, Fran\u00e7ois Ragot, and Jacques Philippe Le Bas. Representing the <\/em><strong>Flemish school<\/strong><em> are Jan van der Straet, Cornelis Cort, Aegidius Sadeler, Johannes Wierix, Jan Sadeler I, Hendrick Goltzius, Pieter de Jode I, Aegidius Sadeler II, and Pieter Stevens. For the <\/em><strong>German school<\/strong><em>, there are engravings by Albrecht D\u00fcrer, Lucas van Leyden, Heinrich Aldegrever, and Theodor Kr\u00fcger. To exemplify the numerous prints of the <\/em><strong>Italian school<\/strong><em>, works by the following artists were selected: Francesco Curti, Giulio Carpioni, Giulio Bonasone, Iacopo Caraglio, Antonio da Trento, the Master of the Dice, Marcantonio Raimondi, Giorgio Ghisi, Diana Scultori, Francesco Villamena, Antonio Tempesta, Raffaello Schiaminossi, Remigio Cantagallina, Simone Cantarini, and Stefano della Bella.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/titolo-documento\/\" title=\"Scuola italiana\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Scuola italiana<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Stefano-Della-Bella-Le-arti-guidate-verso-lo-stemma-Strozzi-1024x707.jpg\" alt=\"Scuola italiana\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/scuola-francese\/\" title=\"Scuola francese\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Scuola francese<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Jean-Boulanger-da-Olivier-Dauphin-Bacco-trasforma-in-delfini-i-pirati-tirreni-1024x741.jpg\" alt=\"Scuola francese\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/scuola-fiamminga\/\" title=\"Scuola fiamminga\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Scuola fiamminga<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Hendrick-Goltzius-Il-drago-divora-i-compagni-di-Cadmo-1024x779.jpg\" alt=\"Scuola fiamminga\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\r\n\t\t\r\n\t\t<a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/documento\/scuola-tedesca\/\" title=\"Scuola tedesca\" class=\"document-embed padding-40 margin-bottom-40 flex wrap\">\r\n\t\t\t<div class=\"text flex column space gap-40 fill padding-right-20\">\r\n\t\t\t\t<div class=\"has-heading-font-family\">\r\n\t\t\t\t\t<div class=\"has-l-font-size\">Scuola tedesca<\/div>\r\n\t\t\t\t\t<div class=\"has-m-font-size\"><\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\r\n\t\t\t\t\t<div class=\"wp-block-button\"><span class=\"wp-block-button__link wp-element-button\">Scopri<\/span><\/div>\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t<div class=\"image fill\">\r\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/Luca-di-Leida-SantAntonio-tentato-dal-diavolo-837x1024.jpg\" alt=\"Scuola tedesca\" \/>\r\n\t\t\t<\/div>\r\n\t\t<\/a>\r\n\t\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"conservazione-e-restauro\"><\/div>\r\n\t\t\t<h2>Conservazione e restauro<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p>Il restauro delle stampe della collezione Gori Pannilini \u00e8 stato effettuato da Simone Martini (Firenze), per quanto riguarda i materiali cartacei e, per quanto riguarda le stampe su seta, dalla ditta <em>L&#8217;Arcolaio<\/em> (Siena). Gli interventi di conservazione si sono svolti in vari passaggi, dal distacco delle stampe dalle controfondature, al lavaggio e pulitura, alla rimozione delle colle, alle operazioni di disinfezione da muffe e microorganismi, fino all&#8217;integrazione di lacune. Ulteriori operazioni di conservazione e valorizzazione, come il montaggio a vista delle stampe su passepartout non acidi, sono opera del restauratore Gianlorenzo Pignatti Morano (Calenzano, Firenze).<\/p>\n\n\n\n<p><em>The restoration of the prints in the Gori Pannilini collection was carried out by Simone Martini (Florence) with regard to the paper materials, and by the firm L\u2019Arcolaio (Siena) for the prints on silk. The conservation treatments were conducted in several stages, from detaching the prints from their backing supports, to washing and cleaning, removing adhesives, disinfecting against mold and microorganisms, and finally integrating losses. Further conservation and enhancement operations, such as the visible mounting of the prints on non-acidic mat boards, were carried out by the conservator Gianlorenzo Pignatti Morano (Calenzano, Florence).<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"996\" src=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-768x1024.jpg\" alt=\"Pulitura con PU sponge\" class=\"wp-image-996\"\/ data-width=\"1920\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-768x1024.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-225x300.jpg 225w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-1152x1536.jpg 1152w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-1536x2048.jpg 1536w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-810x1080.jpg 810w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_124936-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><figcaption class=\"wp-element-caption\">Tesi di Alessandro Bandinelli, bulino su raso di seta (1658)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"997\" src=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-1024x768.jpg\" alt=\"Pulitura con PU sponge\" class=\"wp-image-997\"\/ data-width=\"2560\" data-height=\"1920\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-1024x768.jpg 1024w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-300x225.jpg 300w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-768x576.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-1536x1152.jpg 1536w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-2048x1536.jpg 2048w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250203_125340-1440x1080.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Tesi di Alessandro Bandinelli, bulino su raso di seta (1658)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"998\" src=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-1024x768.jpg\" alt=\"Utilizzo del termocauterio\" class=\"wp-image-998\"\/ data-width=\"2560\" data-height=\"1920\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-1024x768.jpg 1024w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-300x225.jpg 300w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-768x576.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-1536x1152.jpg 1536w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-2048x1536.jpg 2048w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/20250210_110515-1440x1080.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Tesi di Alessandro Bandinelli, bulino su raso di seta (1658)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"999\" src=\"http:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-768x1024.jpg\" alt=\"Indagine multispettrale\" class=\"wp-image-999\"\/ data-width=\"1920\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-768x1024.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-225x300.jpg 225w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-1152x1536.jpg 1152w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-1536x2048.jpg 1536w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-810x1080.jpg 810w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/10\/01_Incisione_UVfc-copia-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><figcaption class=\"wp-element-caption\">Tesi di Alessandro Bandinelli, bulino su raso di seta (1658)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CONSERVAZIONE\" src=\"https:\/\/player.vimeo.com\/video\/1129841849?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"RESTAURO\" src=\"https:\/\/player.vimeo.com\/video\/1129841933?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"VALORIZZAZIONE\" src=\"https:\/\/player.vimeo.com\/video\/1129841966?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"digitalizzazione\"><\/div>\r\n\t\t\t<h2>Digitalizzazione<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p>Il personale del Laboratorio di fotoriproduzione, attivo all\u2019interno della Biblioteca, ha curato l\u2019intera campagna di digitalizzazione della collezione Gori Pannilini. L\u2019attivit\u00e0 \u00e8 stata svolta in diverse fasi e ha compreso sia le riprese effettuate prima degli interventi di conservazione e restauro, sia quelle realizzate successivamente, al fine di documentare in modo completo lo stato dei materiali e gli esiti delle operazioni di recupero e tutela. A supporto di tali operazioni, il Laboratorio si avvale di dotazioni tecnologiche avanzate, tra cui tre scanner planetari \u2013 Zeutschel OS Q1, Bookeye 5 V2 Archive e Zeutschel Zeta Comfort \u2013 che permettono acquisizioni digitali ad alta qualit\u00e0 nel rispetto delle esigenze conservative dei materiali originali.<\/p>\n\n\n\n<p><em>The staff of the Photographic Reproduction Laboratory, operating within the Library, oversaw the entire digitization campaign of the Gori Pannilini collection. The work was carried out in several phases and included both the imaging performed prior to the conservation and restoration interventions and that undertaken afterward, in order to fully document the condition of the materials and the outcomes of the recovery and preservation processes. In support of these operations, the Laboratory makes use of advanced technological equipment, including three planetary scanners \u2014 the Zeutschel OS Q1, Bookeye 5 V2 Archive, and Zeutschel Zeta Comfort \u2014 which enable high-quality digital acquisitions while respecting the conservation requirements of the original materials.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DIGITALIZZAZIONE\" src=\"https:\/\/player.vimeo.com\/video\/1129841886?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"processo-di-riconoscimento-delle-stampe\"><\/div>\r\n\t\t\t<h2>Processo di riconoscimento delle stampe<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<p><\/p>\n\n\n\n<p>Prima del restauro la maggior parte delle stampe della collezione Gori Pannilini erano incollate su fogli di supporto, sia singolarmente sia rilegate in volumi, sui quali erano presenti diverse indicazioni. Si tratta di numeri e diciture che fanno riferimento agli inventarii del 1784 e del 1884. Si illustrano di seguito due esempi che aiutano a capire parte del lavoro di riconoscimento che \u00e8 stato svolto.<\/p>\n\n\n\n<p><strong>Charles Audran<\/strong>, <em>Giove che dirige i venti,<\/em> prima met\u00e0 XVII secolo, bulino, mm 270&#215;380<br>I due dati evidenziati con cerchio verde si riferiscono all\u2019<em>Indice<\/em> del 1784 dove la stampa attribuita ad <strong>Audran<\/strong> \u00e8 la numero <strong>23<\/strong> nel Tomo VIII; i tre dati evidenziati con rettangolo arancione si riferiscono al <em>Catalogo<\/em> del 1884 dove la stampa \u00e8 nella cartella Ottava la numero <strong>65<\/strong> alla carta <strong>59a<\/strong> la numero <strong>2345<\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Giuliano Traballesi da Guido Reni<\/strong>, <em>Circoncisione<\/em>, 1760-1780, acquaforte e bulino, mm 485&#215;290<br>Il dato evidenziato con cerchio verde si riferisce all\u2019<em>Indice<\/em> del 1784 dove la stampa \u00e8 la numero <strong>11<\/strong> nel Tomo IX; i tre dati evidenziati con rettangolo arancione si riferiscono al Catalogo del 1884 dove la stampa \u00e8 nella cartella Sesta la numero <strong>30<\/strong> alla carta <strong>30a<\/strong> la numero <strong>2110<\/strong>.<\/p>\n\n\n\n<p><em>Before the restoration, most of the prints in the Gori Pannilini collection were pasted onto support sheets, either individually or bound in volumes, on which various annotations were present. These consist of numbers and inscriptions referring to the inventories of 1784 and 1884.<\/em> <em>Two examples are illustrated below to help explain part of the identification work that was carried out.<\/em><\/p>\n\n\n\n<p><strong><em>Charles Audran<\/em><\/strong><em>, <\/em>Jupiter Directing the Winds<em>, first half of the 17th century, engraving, 270\u00d7380 mm. The two details highlighted with a green circle refer to the 1784 Index, where the print attributed to Audran is number 23 in Volume VIII; the three details highlighted with an orange rectangle refer to the 1884 Catalogue, where the print is in the Eighth folder, number 65, on folio 59a, number 2345.<\/em><\/p>\n\n\n\n<p><strong><em>Giuliano Traballesi after Guido Reni<\/em><\/strong><em>, <\/em>Circumcision<em>, 1760\u20131780, etching and engraving, 485\u00d7290 mm. The detail highlighted with a green circle refers to the 1784 Index, where the print is number 11 in Volume IX; the three details highlighted with an orange rectangle refer to the 1884 Catalogue, where the print is in the Sixth folder, number 30, on folio 30a, number 2110.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"762\" data-id=\"1310\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-1024x762.jpg\" alt=\"\" class=\"wp-image-1310\"\/ data-width=\"2560\" data-height=\"1905\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-1024x762.jpg 1024w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-300x223.jpg 300w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-768x572.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-1536x1143.jpg 1536w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-2048x1524.jpg 2048w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini-I.0008-1451x1080.jpg 1451w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Charles Audran, <em>Giove che dirige i venti<\/em>, prima met\u00e0 XVII secolo, bulino, 270&#215;380 mm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" data-id=\"1307\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-832x1024.jpg\" alt=\"\" class=\"wp-image-1307\"\/ data-width=\"2080\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-832x1024.jpg 832w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-244x300.jpg 244w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-768x945.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-1248x1536.jpg 1248w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-1664x2048.jpg 1664w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_VIII_23-878x1080.jpg 878w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/a><figcaption class=\"wp-element-caption\">Indice <em>ante<\/em> 1784 (B LXX E 016)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"1024\" data-id=\"1309\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-755x1024.jpg\" alt=\"\" class=\"wp-image-1309\"\/ data-width=\"1888\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-755x1024.jpg 755w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-221x300.jpg 221w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-768x1041.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-1133x1536.jpg 1133w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-1511x2048.jpg 1511w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-797x1080.jpg 797w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2345-scaled.jpg 1888w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Catalogo<\/em> 1884 (Z.I.4)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"1024\" data-id=\"1311\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-776x1024.jpg\" alt=\"\" class=\"wp-image-1311\"\/ data-width=\"1939\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-776x1024.jpg 776w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-227x300.jpg 227w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-768x1014.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-1163x1536.jpg 1163w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-1551x2048.jpg 1551w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-818x1080.jpg 818w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/STAMPE-Gori-Pannilini.X_0076-scaled.jpg 1939w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><\/a><figcaption class=\"wp-element-caption\">Giuliano Traballesi da Guido Reni, <em>Circoncisione<\/em>, 1760-1780, acquaforte e bulino, 485&#215;290 mm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"818\" height=\"1024\" data-id=\"1306\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-818x1024.jpg\" alt=\"\" class=\"wp-image-1306\"\/ data-width=\"2045\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-818x1024.jpg 818w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-240x300.jpg 240w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-768x962.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-1227x1536.jpg 1227w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-1636x2048.jpg 1636w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-863x1080.jpg 863w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1784_IX_11-scaled.jpg 2045w\" sizes=\"auto, (max-width: 818px) 100vw, 818px\" \/><\/a><figcaption class=\"wp-element-caption\">Indice <em>ante<\/em> 1784 (B LXX E 016)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"701\" height=\"1024\" data-id=\"1308\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-701x1024.jpg\" alt=\"\" class=\"wp-image-1308\"\/ data-width=\"1752\" data-height=\"2560\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-701x1024.jpg 701w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-205x300.jpg 205w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-768x1122.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-1051x1536.jpg 1051w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-1402x2048.jpg 1402w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-739x1080.jpg 739w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/12\/1884_2110-scaled.jpg 1752w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Catalogo<\/em> 1884 (Z.I.4)<\/figcaption><\/figure>\n<\/figure>\n\n\n\t\t<div class=\"exhibit-section padding-top-100 padding-bottom-40\">\r\n\t\t\t<div class=\"anchor\" id=\"focus\"><\/div>\r\n\t\t\t<h2>Focus<\/h2>\r\n\t\t\t<hr>\r\n\t\t<\/div>\r\n\t\n\n\n<div class=\"wp-block-columns focus is-layout-flex wp-container-core-columns-is-layout-8175233e wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--40)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-l-font-size\">Il busto di Augusto Gori Pannilini <\/p>\n\n\n\n<p>Augusto Gori Pannilini nacque a Siena il 12 ottobre 1820 da Fabio Gori Pannilini e Francesca Pecci; studi\u00f2 giurisprudenza, si occup\u00f2 di economia e fu appassionato amatore delle arti. Figura di spicco tra la nobilt\u00e0 senese, ricopr\u00ec diverse cariche istituzionali tra le quali la presidenza della Camera di Commercio ma ebbe anche un ruolo rilevante nella vita politica extracittadina divenendo, nel 1861, senatore. La passione per le arti lo accompagn\u00f2 per tutta la vita: si fece promotore di diverse commissioni e donazioni, e a partire dal 1875 mise a disposizione \u2013 per visite pubbliche \u2013 la sua ricca raccolta di stampe antiche esposta nel palazzo di via Banchi di Sopra a Siena. Per sua volont\u00e0 \u2013 alla morte avvenuta nel 1877 \u2013 la raccolta di incisioni venne ceduta al Comune di Siena.<br>Il conte Augusto Gori Pannilini, nel busto di stucco di Giovanni Papini, \u00e8 ritratto in abiti di ordinaria eleganza: una giacca parzialmente abbottonata e con due taschini da uno dei quali spunta un libretto, la cravatta annodata intorno al colletto e, sulla spalla sinistra, il lembo di un mantello scivolato. La testa \u00e8 leggermente ruotata verso destra e lo sguardo \u00e8 attento ma non severo. Il busto \u00e8 quasi certamente un modello preparatorio, come lasciano intendere la materia e certi difetti di stabilit\u00e0 che in passato hanno concorso a rotture pi\u00f9 volte risarcite. L\u2019esecuzione dell\u2019opera deve essere verosimilmente assegnata alla mano dello scultore toscano Giacomo Giovanni Papini, il cui nome, affiancato dalla data, compare vergato a matita sul lato destro della base. Le notizie biografiche su Papini sono scarse, cos\u00ec come le sue opere conosciute; tra queste si ricorda il <em>Busto di gentildonna<\/em> conservato a Palazzo Pitti a Firenze, firmato e datato 1875. Il busto della Biblioteca comunale \u00e8 stato oggetto di un intervento di restaurato (2024-2025, Maura Masini) ed \u00e8 esposto nella sala di conservazione del Gabinetto Disegni e Stampe della Biblioteca.<\/p>\n\n\n\n<p><em>Augusto Gori Pannilini was born in Siena on October 12, 1820, to Fabio Gori Pannilini and Francesca Pecci. He studied law, engaged in economic matters, and was a passionate art enthusiast. A prominent figure among the Sienese nobility, he held various institutional positions, including the presidency of the Chamber of Commerce, and also played a significant role in broader political life, becoming a senator in 1861. His passion for the arts accompanied him throughout his life: he promoted several commissions and donations, and starting in 1875 he made his rich collection of antique prints, displayed in the palace on Via Banchi di Sopra in Siena, available for public visits. By his will, upon his death in 1877, the print collection was donated to the Municipality of Siena. Count Augusto Gori Pannilini is depicted in Giovanni Papini\u2019s plaster bust wearing attire of ordinary elegance: a partially buttoned jacket with two small pockets, one of which holds a booklet, a tie knotted around the collar, and the flap of a cloak draped over his left shoulder. The head is slightly turned to the right, and the gaze is attentive but not severe. The bust is almost certainly a preparatory model, as suggested by the material and certain stability defects that in the past contributed to multiple repaired breaks. The execution of the work is most likely attributable to the hand of the Tuscan sculptor Giacomo Giovanni Papini, whose name, accompanied by the date, appears in pencil on the right side of the base. Biographical information about Papini is scarce, as are his known works; among these is the Busto di gentildonna, preserved at Palazzo Pitti in Florence, signed and dated 1875. The bust in the Municipal Library underwent a restoration intervention (2024\u20132025, Maura Masini) and is displayed in the conservation room of the Drawings and Prints Cabinet of the Library.<\/em><\/p>\n\n\n\n<p><strong>Giacomo Giovanni Papini<\/strong> (attivo nella seconda met\u00e0 XIX secolo) <em>Busto di Augusto Gori Pannilini, <\/em>1871, stucco modellato e lavorato a spatola e dita, cm 70,5\u00d775\u00d730<\/p>\n\n\n\n<p><strong><em>Giacomo Giovanni Papini<\/em><\/strong><em> (active in the second half of the 19th century), <\/em>Bust of Augusto Gori Pannilini<em>, 1871, modeled plaster worked with spatula and fingers, 70.5\u00d775\u00d730 cm<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6a2733aead899&quot;}\" data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-scaled.jpg\" alt=\"\" class=\"wp-image-1282\" style=\"aspect-ratio:9\/16;object-fit:cover\" srcset=\"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-scaled.jpg 1707w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-200x300.jpg 200w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-683x1024.jpg 683w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-768x1152.jpg 768w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-1024x1536.jpg 1024w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-1365x2048.jpg 1365w, https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-content\/uploads\/2025\/11\/AC70709-720x1080.jpg 720w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Ingrandisci\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on-async--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Giacomo Giovanni Papini<br><em>Busto di Augusto Gori Pannilini<\/em>, 1871<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":16,"template":"","meta":{"subtitle":"Una storia di uomini e di stampe a Siena tra il XVIII e XX secolo","color":"#096b6b","footnotes":""},"class_list":["post-15","exhibit","type-exhibit","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/exhibit\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/exhibit"}],"about":[{"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/types\/exhibit"}],"version-history":[{"count":134,"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/exhibit\/15\/revisions"}],"predecessor-version":[{"id":1376,"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/exhibit\/15\/revisions\/1376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/media\/16"}],"wp:attachment":[{"href":"https:\/\/www.bibliotecasiena.it\/mostredigitali\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}